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The movie was showered with unanimous praise, and even those shocked by its intense violence found much to appreciate in its graphic depiction of human nature. theaters until almost a year later – it opened in select theaters on March 30, 2001, before expanding nationwide on April 13 – but when it finally landed stateside, critics took even greater notice. Iñárritu on Leading Oscar Nominee ‘The Revenant’: “This was a film that easily could kill you” The drama would lay the groundwork for much of what we now expect from the thematically-heavy filmmaker (especially his study of violence and its ramifications), and audiences took notice of the talent on display from its very first screening. “Amores Perros” won the Critics Week Grand Prize at Cannes that year, and it would go on to screen at the New York Film Festival and earn an Oscar nomination for Best Foreign Language Film, the first of many for its breakout director. The year was 2000 and the movie was “ Amores Perros,” a triptych anthology film telling three different stories all briefly connected by a singular car accident. Long before winning back-to-back Academy Awards for bold visions like “Birdman” and “The Revenant,” Alejandro González Iñárritu was an unknown film director heading to the 53rd Cannes Film Festival. After being expelled from school at the age of 16, he set off to be a commercial sailor, taking several transatlantic trips that would later have a.
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